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      <image:caption>Mitch Goodwin (2020) Drone Techno-Terror Ecologies, media assembalge.</image:caption>
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      <image:caption>BionicSwift (2018-21) Aerial acrobatics as a swarm (Festo.com)</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Mitch Goodwin (2023) Falling, media assemblage.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Tony Scott (dir) David Bowie as John Blaylock in The Hunger, MGM,1983</image:caption>
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      <image:caption>Tony Scott (dir) Nightclubbin’ with Miriam and John Blaylock (aka Catherine Deneuve and David Bowie), The Hunger, MGM,1983</image:caption>
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      <image:caption>Mitch Goodwin (2015) Falling Man, media assemblage</image:caption>
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      <image:caption>James Bridle (2012) Light of God w/ New York Port Authority (2011) Tribute in Light</image:caption>
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      <image:caption>Screenshot (2017-04-10) “Data” image search (google.com.au)</image:caption>
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      <image:caption>Stephen Spielberg (dir) Precog in Minority Report, Dreamworks, 2002</image:caption>
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      <image:caption>Image credit: Mitch Goodwin (2018) “The Squid Doctor”, from the Screen Circuits series</image:caption>
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      <image:caption>Image credit: Mitch Goodwin (2018) “Portable Gibson”, from the Screen Circuits series</image:caption>
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      <image:caption>Mitch Goodwin (2011) Screen glitch grabbed from "My Endless Dystopian Summer Blockbuster” (https://vimeo.com/42345058) featuring interpolated frames from the film Swordfish (Sena, 2001).</image:caption>
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      <image:caption>Mitch Goodwin (2010) Dark Euphoria series, photographic print, on paper, eMerge Media Space, Townsville, Australia.</image:caption>
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      <image:caption>Mitch Goodwin (2014) Dark Euphoria, thesis cover. Photograph by the author.</image:caption>
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      <image:caption>Image Credit: Goodwin &amp; Fay (2014) Mineral Machine Music video still. (Left panel) Subway steam and street lamps, Broadway, NYC. (Right panel) High-resolution photo-micrograph in cross-polarized light, muscovite and biotite. The differences in colour are due to pleochroism, an optical phenomenon in which the color of the mineral changes depending on the angle of view (the incidence of the light and crystallographic axis).</image:caption>
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      <image:caption>Image credit: Mitch Goodwin (2015) Installation view of Heidi Kumao’s “Egress” (USA, 2014), Pinnacles Gallery, Townsville, Australia</image:caption>
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      <image:caption>Image credit: Morehshin Allahyari (2015) Additivist, USA</image:caption>
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      <image:caption>Image credit: Mitch Goodwin (2015) Screengrab 7 installation, Pinnacles Gallery, Townsville, Australia</image:caption>
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      <image:caption>Image credit: Video still from Sirin Bahar Damirel’s “Living With Leviathan” (Turkey, 2013)</image:caption>
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      <image:caption>Image credit: NASA &amp; ASF (2000) Lambert Glacier Velocity Map (asf.alaska.edu)</image:caption>
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      <image:caption>Image credit: Mitch Goodwin (2014) Screengrab6 installation, Pinnacles Gallery, Townsville, Australia</image:caption>
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      <image:caption>Image credit: still from Rose Staff’s multichannel work, “The Space Between Us” (2014). 3 channel HD video, 2D and 3D animation.</image:caption>
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      <image:caption>Image credit: still iamge from Francesca Fini’s film “White Sugar” (Italy, 2013)</image:caption>
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