Impermanence is a video art/poetry assemblage from 2000. It was the culmination of an ongoing collaboration between the Post Hoc Performing Word Company from Griffith University's School of Arts on the Gold Coast and media artist Mitch Goodwin.
Ladies & Gentlemen, Vonnegut's Fire Fight Fuzz Box.
My Endless Dystopian Summer Blockbuster is collage of film drawn from a vast research archive of feature films and TV documentary programs which focus on themes of post-apocalyptic or dystopian futures, technological paranoia and impending end-of-world scenarios. Preference was given to works that fall within the decades spanning either side of the millennium.
Screened as a two channel video installation filling the north and south walls of the exhibition space the piece was originally exhibited at the eMerge Media Space in Townsville Australia as a part of the exhibition Dark Euphoria: Unclassified Media.
This work was one of twelve works produced as part of the creative component of my PHD thesis, "Dark Euphoria: The Neo-Gothic Narrative of Millennial Technoculture", the full text is available here: https://mitchgoodwin..com/phd-thesis-documentation/.
More detail and theoretical back grounding of the work is available at the exhibition project site: darkeuphoria.info/the-endless-dystopian-summer/
Collated, captured and edited by Mitch Goodwin (September 2011).
RGB Dreams was a commissioned work for Blindside Gallery's satellite Urban Screens series project, becoming [in]determinate. The series examines notions of the public space, specifically the public square, and what it means for art to occupy these spaces and connect physically disparate audiences through a collective experience.
A 2004 experimental sound and video collage with Gold Coast musician Lani Motiekaitis. Vitamin B shot provided by Naomi Watkins.Designed, edited and photographed by Mitch Goodwin.
A collaboration between video artist Mitch Goodwin and sound artist Stephen Campbell, produced for James Cook University’s 40th anniversary exhibition.
An audio-visual collaboration between geologist Clement Fay and media artist Mitch Goodwin. Mineral Machine Music is a collaborative exploration of the fabric of the earth as seen from the stage of a microscope and the lens of the industrialized city.
Video documentation of Mitch Goodwin's exhibition Dark Euphoria: Unclassified Media at the eMerge Media Space, Townsville, Australia in September 2011.